March 28th Weekly Schedule
for AP English literature


Monday, March 28th:

The pace quickens from this point on until May 6th!

Briefly go over some aspects of CRIME AND PUNISHMENT: Utilitarian philosophy, “Ubermensch”, etc. Character analysis, etc.

Pass out packet on CRIME AND PUNISHMENT, including essay topics. The essay will be due Tuesday, April 5th.

Break into groups and begin composing questions and answers for the following characters: Raskolnikov; Svidrigaylov, Razumikhin, Porfiry, Luzhin. Sonia, Dounia, Katerina.

Homework: pages 68, 69, 70 in WARRINER’S ENGLISH GRAMMAR AND COMPOSITION; “The Participial Phrase”. This will be due on Wednesday, March 30th.



Tuesday, March 29th:

Your compare and contrast essay on poetry by John Keats and Robert Frost is due today.

We will briefly go over the poems.

Briefly go over some plot and character analysis of CRIME AND PUNISHMENT.

Continue working in groups on the characters in CRIME AND PUNISHMENT.



Wednesday, March 30th:

Your grammar homework is due today; “The Participial Phrase.”

“Hot Seat!” Groups will get up and represent the psychological gestalt of a particular character and will field questions from the other groups regarding motivation, etc. of the character. Each team will get up and represent at least two characters.

For homework: Pass out packets on the romantic poet Samuel Taylor Coleridge and his poem, “Kubla Khan”, pages 463, 464, 465 and 465 in ENGLAND IN LITERATURE. For homework, write a two paragraph mini-essay on Coleride’s use of language - diction, figurative language, rhythm - to create mood in “Kubla Khan.” This will be due the next day, Thursday, March 31st.

Another compare and contrast essay will be assigned today over two poems - one by Emily Dickinson and the other, one you already know - “Acquainted with the Night” - by Robert Frost. This will be due on Thursday, April 7th.



Thursday, March 31st:

“Hot Seat!” will continue!

Discussion of CRIME AND PUNSHMENT will continue as needed.

Friday, April 1st:

Final wrapping up of CRIME AND PUNISHMENT.

Pass out vocabulary books. Unit Five will be assigned. It will be due on Friday, April 8th. Is the pace quickening? You bet! And it’s going to get more frenetic!

Comments

Post a Comment

Popular posts from this blog

A.P. Blitz, Saturday, March 24, 2018

Image
Musee des Beaux Arts  W. H. Auden About suffering they were never wrong, The old Masters: how well they understood Its human position: how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer's horse Scratches its innocent behind on a tree. In Breughel's Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water, and the expensive delicate ship that must h
Read more

Hamlet, Act 2, Scene 1

Image
Hamlet Act 2, Scene 1: In this scene Polonius is giving instructions to his servant Reynaldo to spy on Laertes, his son, in Paris. (Again, note the theme of spying) Polonius is giving Reynaldo money to give to his son, but tells him to “to make inquire of his behavior”. “Inquire me first what Danskers are in town….” This is an example of elision or omission of words (words are intentionally left out to insure the lines scan in iambic pentameter.) What word or words are left out? Dansker: Danes Polonius tells Reynaldo to inquire about Laertes’ behavior in a roundabout general way: “encompassment and drift of question” and by this way will arrive at the truth faster and more completely than by asking directly (“…come you more nearer / Than your particular demands will touch it.”) Do you think that’s true? Polonius further instructs Reynaldo, the servant, to say that he doesn’t know him well, but has some “…distant knowledge of him…” Mark: Listen well! Are
Read more

Middlemarch Essay

Image
How to Approach the A.P. prompt for MIDDLEMARCH How does Eliot portray characters? How does she portray complex relationship between husband and wife? Literary devices: Narrative perspective (Pov) and selection of detail. Middlemarch: underline novels!!!!! Rosamond’s personality: She was not given to weeping and disliked it. Lines 14 – 16: Rosamond thinks….. Go through the entire prompt and find examples of pov (narrative perspective) of Rosamond. Find at least three examples. Lines 77 – 79: “The thought in her mind was if she had known what he was going to be like she would never have married him.” Lines 87 - 90: “She was determined to make no further resistance or utterance.” Lines 23 – 26: This sudden trial was to a creature who had known nothing but indulgence. 52 – 53: His self blame gave her some hope that he would attend to her opinion. Tertius: Lines 48 – 50: Lydgate was bowing his neck like a creature……” Lines 34 – 35: That she had
Read more